This article explores the contrasting styles of Alexander Rodchenko and Arkady Shaikhet in the Soviet Union, highlighting their techniques and political influences.

This article examines the Book of Durrow and the Book of Kells, two intricately crafted Insular manuscripts from the golden age of Irish art (circa 650-900 AD). It focuses on the contrasting representations of the Evangelist Matthew in each manuscript to explore their artistic differences and historical origins. The discussion includes detailed analyses of the illuminations, stylistic elements, and the cultural influences that shaped these works. The article also delves into debates surrounding their provenance, creation dates, and the monastic traditions involved in their production.